Category Artiste

Plastic artist

Adelin Donnay does not paint to decorate, nor to seduce. He paints to say. 

Born in Bressoux, his sensitivity is direct, straightforward and always accurate. His work seeks neither effect nor elegance: it digs, it scratches, it questions. 

With the exhibition Paysages pas sages, AdelinDonnay is opening a new chapter without denying what has gone before. The title is a play on words, but it says it all: these landscapes do not stand still. They resist any simple reading, any idea of peaceful nature. Tortured, fragmented and unstable, they are an extension of the muted violence of the "black heads" that have long inhabited his paintings. But here, the tension shifts. It extends to the space, the place, the outside - as if what was gnawing at the human being was now spreading to the world. 

Adelin Donnay works with patience and exacting standards. Each canvas is a thoughtful, tense, almost stubborn gesture - a local gesture, yes, but one that looks beyond our borders. He paints as one asks a question: not to obtain an immediate answer, but to open up.

Valérie Quanten

Alexia Verstraelen aka Alvex or "Cosmic abstraction".
If the number of stars is estimable despite their apparent infinity, the creative possibilities remain limitless. This is all the more true in abstraction. Just as the universe is expanding despite its fixed content, so Art is constantly developing in line with practical and technical developments. Alexia Verstraelen's work has also unfolded like her own universe of canvases and stars with a recognisable style. A veritable astronaut, the artist has made her way into her own personal galaxy, through the black hole of the imagination. The planets, constellations and other marvels of the cosmos inspire him more than anything else, to the point of constituting the unique but vast subject matter of his works. These are the result of a long process of experimentation and an increasingly complex mastery of her technique, a mixture of chance and controlled gestures: the painter handles the spray can with freedom and spontaneity, always guided by her emotions. Projecting the well-being that moves her with gentleness, or evacuating anger and sadness with tension, it's a constructive way for her to combat depression through pressure. A multitude of stars in colours that are sometimes sober and discreet, sometimes boreal and hallucinatory, compose her sensitive score on a firmament of varied media. Like many artists seeking to escape the world through their creations, Alexia Verstraelen has extracted herself from it, even abstracted herself from it, rocketing towards the secluded confines and magnetic atmospheres of her stellar theatre, inviting us, through art, to do the same.
Lionel Lebeau 

Vincent de Jaegher was introduced to painting at the age of 12 by his artist aunt.

A keen traveller, he travelled the world and spent several years in Japan, where he immersed himself in the culture. You can see this in his paintings, which have a touch of Zen calligraphy.

Curves, counter-curves, notes of colour, yes notes, that's the word, because Vincent's works are as much to be listened to as they are to be contemplated. There's a vibrancy to his compositions, which are veritable symphonies, often peaceful and joyful, reflecting the artist's playful character, but sometimes darker, because no one is immune to the tumult of the world. Vincent sails from Vivaldi to Prokofiev.

Influenced by Turner and the master Zao Wou-Ki, whom he met in his Paris studio, Vincent nevertheless had his own personality. Once you've seen one of his works, it's easy to identify the others as his own. This characteristic is the prerogative of true artists whose independence defies convention.

Vincent was a hard worker who painted discreetly throughout his life, his approach being an inner quest. Seeking neither fame nor glory, he has rarely exhibited, but always with success. In 2017, he was invited to present his work at the Japanese Embassy in Brussels.

Galerie HVL is proud to present the masterful bursts of colour by artist Vincent de Jaegher. A work that leaves no one indifferent, and above all that does the soul good.

Painter, photographer, video artist, sculptor... Guy Lemaire is a multi-talented self-taught artist. Born in Belgium in 1954, he took an interest in the world of art from an early age. He began his artistic adventure by joining the trends in American photography of the time, more specifically the Witkin, Mapplethorpe, Gatewood and other movements.

Since then, it has continued to develop, reinvent itself and diversify its styles, techniques and media. 

Over the course of his career, Guy Lemaire has acquired international renown thanks to numerous exhibitions abroad: Tokyo, Amsterdam, Cologne, Milan, as well as Buenos Aires in 2004 with the "Play III" exhibition, which allowed him to be recognised for his work as a video artist. Noted for his talent as a photographer, he was asked by pataphysicians, including André Blavier, to illustrate "Temps Mêlés". An article was also dedicated to him in the renowned American magazine "Collectors Photography USA". His works are present in many prestigious collections such as the Département des Estampes et de la Photographie of the Bibliothèque nationale de France in Paris, the Paul Arden Collection (Saatchi & Saatchi) and the Ken Damy Museum in Milan.

In 2007, in search of creative regeneration, the artist decided to leave the hustle and bustle of the cities to isolate himself in the Fagnes, where he still lives. It is in the serenity of nature that he rediscovers the pleasure of painting. 

Guy Lemaire begins this new chapter with a study of monochrome blacks. Moving on to a period he describes as "German Neo-Expressionism", he then concentrates on the art of primitive peoples, inspired in particular by Aboriginal iconography. Passionate about mathematics, he uses the formulas that govern the laws of our universe to compose his canvases.

For his exhibition "Collectif égocentrique" at Galerie HVL, Guy Lemaire presents his latest works. We look forward to seeing you there to discover the work of this enigmatic character... 

Nicolas Ravet, also known as Toska, is a painter from Liège who has been making his mark in exhibitions and art galleries since 2008. Guided by instinct, he has carved out his own artistic path over the years, wielding his brushes with determination. His style, which he has nurtured, refined and renewed daily for over a decade, is a testament to his unwavering perseverance. He enthusiastically continues to perfect his skills, leaving behind an impressive collection of works.

Toska's artistic approach is rooted in the breakdown of her environment into synthesised forms such as circles, triangles and squares. His overall composition is marked by intuition. Through his work, he seeks to capture the flow of life, to grasp the guiding lines of forms and translate them into pictorial expression. In a dance of criss-crossing strokes, he simplifies the forms as much as possible, plunging ever deeper into the material until he penetrates its cells, its energy, its fluids, and then extracts them.

Toska's aim is to represent Movement, the forces of a larger, universal structure. Like a carefully reconstituted jigsaw puzzle, each element is meticulously placed, creating harmony within a transcendent Whole. Her painting aspires to allow the viewer to perceive the energy of the movements that carry her away, and to intuitively develop a vision beyond the limits of the frame.

He skilfully juggles the excitement of live painting with the tranquillity of his studio. His palette of artistic expression is diverse and varied, ranging from tattoos to objects, furniture, canvases, walls and even shop windows.

His universe oscillates between primitive arts, such as Mayan art, and Street Art, whose influence is undeniable. His style, both recognisable and singular, invites us to lose all notion of space and time, creating a labyrinth of shapes and colours of surprising complexity.

But make no mistake, the apparent simplicity in Toska's work is the result of meticulous preparation. His creations first take shape in his mind, like obsessive ideas, and then unfold in the material world. Starting with compositions or lines of volume, he gradually breaks them down, simplifying as much as possible to plunge ever deeper into the material until he reaches the cells, energies and fluids that make it up.

The artist's technique, an alternative to the spray can, the pipette, allows him to contain a large quantity of paint, generating fluid and regular results. His works immediately captivate the eye, while leaving the mind transfixed. A jack-of-all-trades at heart, he is constantly experimenting with new techniques, such as phosphorescent colours, and exploring hitherto unexpected inspirations, such as the animal kingdom.

In conclusion, his art celebrates perseverance and simplicity in the midst of complexity, opening the doors to bold, intuitive contemplation.

Alexis Remy-Paquay grew up in his home town of Verviers, where he spent his entire youth and completed his secondary education. He went on to study medicine in Namur and Brussels, later specialising in paediatrics.

With an early awareness of art, initially through painting, he gradually turned to photography, exploring both film and digital, finding a way to put his theoretical knowledge into practice. Fascinated by capturing the moment, he likes to appropriate and interpret moments, working in the immediate, varying the play of light and depth.

For the past ten years, Alexis Remy-Paquay has been exploring photography in a self-taught way, favouring a trial-and-error approach. His technique is oriented towards black and white, for the light that cuts through, sublimates and deepens the shadows and nuances, and for the vitality of the features.

His inspirations include the leading artists of black and white photography, mainly street and war photographers, working in action. These include Abbas, Elliott Erwitt, Robert Doisneau, Ursula Schulz-Donnburg, Sebastião Salgado and Graciela Iturbide.

Alexis Remy-Paquay works out of passion, for himself, and has never before shown his work to the general public. Galerie HVL is delighted to be organising the young photographer's very first gallery exhibition. 
Over twenty photographs, all in black and white, will be on show. 
Alexis Remy-Paquay's exhibition, entitled 'Magical Realism', will take you on a journey to the lands of Central and South America.

François LURQUIN - Draughtsman, architect and designer

François Lurquin was born in 1997 in Verviers, where he lived for the first twenty years of his life before moving to Liège to study architecture. He later decided to make a fresh start in the Hautes-Alpes. From an early age, François Lurquin was immersed in the artistic world, mainly thanks to his grandfather Raymond Gaillard, a painter. With his rather discreet personality, it was through the work of his hands that the young artist always sought to escape, to communicate, to show who he was and what he felt.

 Artist's note :

«OBSERVE-FEEL-UNDERSTAND-TRANSCRIBE. This is how I found my process of representation. My own experiences become a source of inspiration: rediscovering a memory through drawing, drawing for myself and not for others, capturing an emotion and transmitting it to you.... »

Bego BARCENA - Photographer, videographer and biologist

Bego Barcena was born in 1992 in Pamplona, Spain, where she lived until she was 21. She studied biology and obtained a master's degree in Antwerp. Finally, after devoting part of her life to travelling and research into living things, she decided to settle in the Hautes-Alpes.

She has always been interested in photography. When she was a child, she loved to lose herself in the house to look at old photos stored in her father's and grandfather's boxes... The passion was born.
As well as photography, Bego Barcena also works with video, mainly in the entertainment world.
Her work is raw and natural. She uses nature, life and sunlight to create a unique atmosphere that is both close to and far from reality. Her photos come from where she comes from, as well as from wherever her many travels have taken her.

Presentation of the exhibition by the artists

 "Man is elevated by his modesty and humility and degraded by his pride."
"The mountains offer man what society forgets to give him.

The mountains teach us that the biggest mountains are not necessarily the ones with the most wealth.
The real mountain attracts as much as it repels, we admire it as much as we fear it. It tends to surpass us, to push back our limits, pretending to find sublimity only in the great names, but often leaving all that beauty to one side...

Our exhibition turns towards this more ordinary side, towards this mineral authenticity, this omnipresent purity. These mountains tower over us. We are at home in their great garden. We spend time there, we contemplate them daily, and yet every day our eye catches something different.
Here, we show you our subjectivity, our spontaneous feelings, our emotions found in this immensity where potential is often mixed with the unseen. We offer you our singular framings, our shifted views... 

Bego Barcena, François Lurquin

Painter, sculptor, draughtsman, illustrator: there's no shortage of names to describe Jean Lequeu, a versatile artist with an extensive career.

He began his career as a student at the Royal Academy of Fine Arts in Liège. He went on to teach at the same institution for over thirty years. His mastery of academic codes and techniques enabled him to juggle different styles with ease. Alongside his teaching role, Jean Lequeu continued to create tirelessly throughout his life.

Following numerous group and solo exhibitions, Jean Lequeu decided in the early 90s to stop exhibiting. A discreet artist sensitive to the gaze of others, he no longer wished to be the centre of interest amid the hubbub of vernissages and the dazzling spotlight of gallery exhibitions. No longer seeking public recognition, he prefers to receive visitors in the privacy of his studio, where he spends most of his free time. A true artist rather than a showman, he leaves behind the mundanities and time-consuming setting up of exhibitions to devote himself essentially to making his art. For this reason, he has left us a substantial legacy, with many works that are still unknown to the public.

Jean Lequeu's atypical world is made up of zany characters with strange morphologies, mythological creatures, short-legged warriors, chubby animals and extravagant flying machines! A prolific creator with an overflowing imagination, the artist takes us on a journey to imaginary worlds sometimes reminiscent of the tales of our childhood.

The sources of his inspiration are many and varied. Observant and curious, he is interested in history, literature and mythology, as well as cinema and comic strips. In fact, he produced illustrations for a series of children's books commissioned by Gakken, a Japanese publisher.

Despite his apparently cheerful and festive work, Jean Lequeu remained pessimistic about the way the world was going, leading him to deal with darker subjects such as war and death. With a more academic touch, he also produced a series of views of Verviers in the style of the Verviers Intimists, an artistic movement that emerged in our region in the early 20th century.

With the help of Françoise Villers, Jean Lequeu's wife, Galerie HVL is paying tribute to this man from Verviers, with an exhibition retracing his artistic career through the different periods and themes that influenced him throughout his life. Young and old alike are invited to come and discover his fantastic world of derision, humour and satire.

Exhibitions resume at Galerie HVL 

We look forward to seeing you at the vernissage of Marc Jortay, painter, on Friday 15 September from 6pm. 

 Autobiography of the artist :

My career began when, at the age of 4, the teacher at the Boulevards nursery school in Verviers informed my parents that it was impossible for me to reproduce an identical drawing.
In 1955, speech therapists didn't go round schools looking for 'dys'-something. This was even more pronounced when, asked to write my first name, I transcribed it as CRAM.
From then on, my mother called me Cram instead of Marc.
I was dyslexic and visually left-handed. The problem was compounded when it extended to all forms of reasoning.

Rather than writing, my apprenticeship began with drawing lessons. After that, my school career was rather chaotic until the end of secondary school. In the meantime, I had spent a good deal of my spare time as a child and teenager with my paternal grandfather, Ernest Jortay, a carpenter and head set designer at the Grand Théâtre in Verviers.
Practising carpentry and the art of working with wood have added to my wonder at creation, whatever it may be.
At the age of 12, I also took up photography, where the physical principles of optics were particularly relevant to me, as I was constantly having to juggle with my camera.
inverted images.
At 16, my mind was made up: I was going to be an architect. My father, a wool-maker, travelled a lot. He spoke 4 languages and his travel stories and the images he brought back captivated me. So I thought I'd spend a year travelling before my higher education, but when I came face to face with the school authorities, I made the right decision: after sitting and passing the entrance exam, I was admitted to the Antwerp Maritime Academy as a deck officer on long voyages.
So in 1970, I travelled around the world and was able to explore it on my own, without any preconceptions.
In 1971, after passing the entrance exam, I was admitted to the first year of architecture at the Institut Saint-Luc in Liège.
From the very first year, I knew I hadn't made a mistake. During the first three years, I developed a taste for painting thanks to a teacher, André Blank, a painter from Raeren.
However, I didn't start painting until the 80s and 90s.
I finished my architecture studies at La Cambre in Brussels in 1977.
I completed my training with a postgraduate degree in town and country planning at ULB.
From 1977 onwards, together with my wife Isabelle Noël, a landscape architect, I devoted myself entirely to developing my architectural practice, which over time became AUPa sprl: Architectes, Urbanistes, Paysagistes associés.
In 2016, the company had 20 employees and partners and I concluded a management buy-out with 4 of them.
In 2018, I stepped down as president of the Belgian Chamber of Urban Planners.

Throughout these years, I continued to paint and photograph, in short to create, in my spare time. These two activities became as necessary to me as bread and water.
This background and all the experiences and journeys that have followed have been a source of inspiration for me, and have even changed the way I work.

When it comes to painting, I've decided not to draw any more, but to work with colours and materials using tools other than brushes.
Ambiences and contexts, two decisive elements for architects and town planners, structure a body of work that is not intended to be figurative. The history and evolution of built-up areas, towns and countryside, underlie my pictorial work.
I've decided to keep an open mind to everything, with no preconceptions, otherwise I'll be restricting my inspiration unnecessarily.

"You are not the things you do,
You are the way you are.
- Neale Walsh

 Galerie HVL exhibits Kong Le Foudeur 

Anthony Malamba, aka Kong le Foudeur, is a Belgian graphic designer and pop artist who bridges the gap between the world of cartoons and the world of fashion. He draws his inspiration from comics, cartoons and streetwear culture through classic and trendy brands: two worlds that he brings together in colour. His art is a vast mix of bright new ideas that he brings to life both digitally and in paint.

A former graffiti artist, Kong now favours large-format canvas to paint close-ups of characters in action, whose accessories and outfits will not escape the attentive eye of fashion lovers. Indeed, the multiple references, both discreet and flashy, reflect the real interest in fashion in general (sneakers, street fashion, etc.).

Finally, his illustrations highlight Belgium's rich cultural heritage: a culture to which Kong le Foudeur is very attached, since the world of comics plays a major role in his work.